Showing posts with label Wordsmith: je. Show all posts
Showing posts with label Wordsmith: je. Show all posts

Thursday, May 21, 2009

Eating on the Couch

By je * Other je Posts

There are few things I enjoy as much as food. New York is a glorious and dangerous place for a foodie. In addition to the great restaurants and food festivals, if you like to take your meals into your own hands, you can find any ingredient with a visit to your neighborhood meat market, stroll through the Union Square farmers market, or quick trip to Chinatown.

Growing up, my family didn’t eat out much, and it wasn’t until recently that I began to trace back the love of food that my parents instilled in me. I love my mother’s cooking--it is intentionally simplistic. Her repertoire developed over time, with roots in Haitian and Latin American cuisine. Influenced in part by our American friends, my sister and I grew up with very strong opinions about what we wanted to eat. My mother would rarely let us indulge in this country’s staples like pizza or happy meals, but she accommodated our requests by stripping out the exotic ingredients in our culture’s traditional food to make it all a bit more kid friendly. As a result, she’s naturally refined her technique to produce very clean and precise outcomes, despite her tendency to eye-ball everything—which, I will add, is incredibly frustrating if you ever ask her for a recipe. My father, on the other hand, was always a bit more avant-garde when it came to the culinary arts. Most of his formal education and professional work has been in food science, and a scientist’s spirit of experimentation was always in full display in the kitchen. Sometimes the result was nothing short of stellar, but I can remember vividly (and still taste) every gastronomic disaster. But you could tell he enjoyed the drama, mystery, and anticipation, and he never felt bad about the result of his curiosity.

These two approaches to cooking, and the underlying affinity towards food that I inherited, sadly, lay dormant in me until college. Until I left for university, I took most home-cooking for granted and I was content to stuff myself with cafeteria tatter tots, KFC twisters, or Italian BMTs from Subway throughout high school. I’m sure many of you have held similar attitudes, and some probably still do. Things changed sometime during the first semester of freshman year. Meal plan novelty lost its luster; I quickly became bored with the same fare at the all-you-care-to-eat dining halls, and so I begin to explore more of the interesting restaurants and cafes near campus. Then, in my sophomore year, I started to work as a waiter in a local Japanese joint and in the act of delivering all those California rolls and orders of chicken teriyaki to drunk sorority girls and pseudo-intellectual townies, I developed an appreciation for food preparation and the pageantry of food service.

Shortly thereafter, I took a 2-credit evening cooking class (how’s that for course selection!) and mincing garlic has been a wonderfully cathartic activity ever since. I followed the night class up with our college’s famous wine tasting course. Aside from the pleasures derived from drinking-for-credit, the class challenged me to begin thinking critically about the components of taste. I’m certainly no gourmand, but I now “listen” to food more than most people, and I try to bring some of the lessons learned with me into the kitchen. Over time, cooking has evolved from an inconvenient means to satisfy my daily nutritional requirements for life, to my favorite hobby.

And so for all of you aspiring amateur chefs, I wanted to share some tips to get you ready in time for your summer potlucks & picnics:

Get a Knife

My father always thinks of the worst case scenario, and he never liked to take unnecessary chances when it came to home safety. Keeping a large chef knife was, in some paranoid way, tempting misfortune. Consequently, we only had serrated steak knives in the home since they were functional, but small—mitigating much of the risk of injury. This, in my father’s mind, was an acceptable compromise. And so, much like how I always believed everyone ordered meat “well done” I assumed that this is how most households were run. Then came that cooking class in college. Class 1, lesson 1: “A good chef knife and paring knife are a must-have in your arsenal.” I’ve found this to be true time and time again.

When you’ve got the proper tool and form, cutting and chopping are a breeze and you’ll be amazed at how much better your food will look when it’s not being ripped apart by the jagged teeth of a steak or bread knife. There’s plenty of great information out on the web and I’ll leave the endorsements to the experts, but a good knife that feels comfortable in your hand is the best investment you can make for your kitchen. One warning, it’s very easy to go overboard when purchasing cutlery. I recommend doing a little research to find something that fits within your budget.

Be Intimate

For my 21st birthday, my girlfriend’s parents gave me a gift basket with some gourmet tortilla chips & salsas, fresh ground cumin & dried chilies, margarita mix & a big ass bottle o’ tequila, and two cookbooks (best gift basket ever!). One of these books, Mexican, has been close to me ever since, essentially becoming a fixture of the kitchen of every apartment I’ve inhabited in the 5 years since. The book is full of vibrant pictures and colorful descriptions, covering the salsas, sauces, steaks, and sangria of our southern neighbors. The Book begins with a section devoted to the ingredients used throughout the rest of the book, thus providing a quick reference if you find yourself confused about how to prepare jicama or the intensity of poblano chiles.

Over the years, I’ve probably made more than half of the recipes in this book and it’s been a great way to develop some depth to an otherwise superficial (yet strong) love of Mexican cuisine. Now, when challenged by the availability of certain ingredients or when moved by an improvisational whim, I’ve taken liberties when making my favorites and through this exploration I know what steps to skip in a recipe, when to substitute (and when NOT to), which dishes complement each other, and most generally, the effects that certain ingredients or methods of preparation might impart on the taste, texture, aroma, or presentation of a dish. It’s difficult to know any of this without the familiarity that comes with spending some quality time with a good book.

Don’t Forget to Share

Cooking for 1 usually sucks. Scaling back a recipe can be very tricky and can also lead to a lot of waste if your ingredients are not easily divisible. Maintaining a store of fresh ingredients is even worse—trying to use up a whole bunch of parsley before it goes bad might require adding it to your bowl of Cheerios in the morning. I’m lucky enough to live with two ravenous eaters; these guys massacre meals compared to me. Not surprisingly, they have been very supportive of my passion for the kitchen and they’ve been kind enough to provide honest and astute feedback with every meal. Now, if they could just remember to tip..

If you’re not lucky enough to have your own hungry hungry hippos down the hall, host a few dinner parties. They need not be elaborate, and having another set of taste buds to enjoy your work will be both rewarding and enlightening. When cooking for others, remember to mind the presentation.

Give Yourself Time

I violate this “rule” often. I tend to be pretty ambitious when allocating time to cook: I get lost or distracted along the way and guests arrive before I’m totally finished. It’s something I aim to improve upon in the future, along with flossing daily and watering my houseplants regularly. Fortunately, I’ve never had one of those epic disasters that might have required some intensive intervention to rescue a botched dish or an entirely new contingency, but it’s something every cook should consider budgeting a little time for, particularly for high-pressure or important dinners. There’s always a chance that something bad can happen, so hope for the best but plan for the worst.

When using a recipe, read through it thoroughly beforehand and identify the critical path to execute your plan without delay or hiccups. Be mindful of the state of the ingredients at start of Step 1: if something is already peeled/chopped/sliced, you may not have time to do this in the middle of step 3. For example, if you’re instructed to fry garlic in olive oil and add 1 chopped onion once the garlic turns golden, it’s likely that there will not be enough time for you to work on chopping the onion once the garlic is added to the oil, so you should finish your chopping before adding anything to heat.

Explore & Internalize

Professionals in every field (be it sports, science, or art) are constantly reviewing history while broadening their knowledge with new ideas. So eat out, try new dishes, order the same plate twice, and don’t be afraid to be creative with your own concoctions. While you’re enjoying these meals, try to think critically about your experience. Most people never move beyond “this taste good”, but there’s a lot more going on in your mouth that you should try to understand (I’m sorry that sounded dirty). What flavors pop? Can you detect some of the supporting cast of ingredients mentioned on the menu? How does this compare to anything similar you’ve enjoyed in the past? These are questions that will allow you to begin to unravel some of the magic behind food.

Wednesday, April 1, 2009

Block Party – A Weekday in the City

By je * Other je Posts

Living for the City

I lock eyes with the meter maid. She no longer has any dominion over me.

I (finally) moved into Manhattan last spring, after spending the last three years situated a bit east of the center of the universe. When I started my new job in January, I also severed my suburban umbilical cord, getting rid of my car and joining my brothers & sisters on the streets, subway platforms, and commuter rail cars. Now, to get to work, I have to make an 8:32 train to NJ, a quiet 32-minute ride west under the Hudson and through Jersey's industrial steppes, on the lower level of a double-decker train. This was exactly what I always wanted—a commute that I could read or sleep through, one free of stop & go traffic or morning lines at a gas station.

Like all NYC transplants, it's taken a while to really start to see the jigsaws fall in to place. Now that I'm close to my first full year on the isle of Manhattan, routine and exploration have battered down a poor sense of direction and a natural inattentiveness to environmental landmarks: the Gotham geography is finally beginning to make some sense. Since I don't have to worry so much about getting lost, I now have the mental bandwidth to begin observing more of the world around me. And (sadly) the 15-20 minute walk from my Hell's Kitchen apartment down 8th Ave to Penn Station is sometimes the most exciting part of my day.

Shiny Happy People

Times Square is one of the happiest places in New York City. Almost everyone there smiles, but there aren't many natives.

If you're visiting NYC, Times Square is a destination, and so you gawk, bask in the neon glow of big screens and sort of just lazily float along the streets. All this flagrantly aimless sauntering is infuriating for the New Yorker, who views the Square as a means to a much more exciting and authentic destination, so he silently curse as he turns on evasive maneuvers to make it to any of the 13 metro trains that stop in Times Square. Accordingly, there are few New Yorkers in Times Square. The relative handful that spend any significant time in the malformed quadrangle between Broadway, 49th St, 7th Ave, and 40th St. are only around because they happen to work in the area. Few hang out or chill there and so the tourist takes pictures behind a backdrop of other tourists and advertisements. This has always seemed bizarre to me.

I bet Universal Studios or Disney could fabricate their own Times Square on a soundstage with fake buildings, bright lights and oversized televisions, simulated city noise (cabs, hot dog vendors, and calls for half-price tickets to plays/comedy shows/titty bars), hire a whole bunch of extras to walk aimlessly and totally nail the entire experience. Times Square is as real as the sets of any over-produced theatre on Broadway, and yet it is such an iconic view of New York. I avoid it as much as possible.

On Your Mark

Although 8th Avenue is outside of Times Square proper, inevitably, there's going to be a little spill over of solicitors, bright parka clad tour guides, and purse peddlers. A woman tries to hand me a flyer--advertising for a parking garage around the corner. She sees me walk by every morning and I never accept her hand-out, but she still tries again day after day. I thought it'd be clear that I don't drive (ergo I have no need of her parking services). In the evening, she'll be replaced by someone wearing a very dirty but smiling sandwich costume, trying to entice the evening commute into a local Subway for a sandwich. 8:08

Obstacles to Overcome

Fortunately, there isn't a lot of dog poo on 8th, due to the heavy pedestrian traffic, and I can get away with keeping my eyes off the ground for most of the morning constitutional. This isn't the case in all neighborhoods in Manhattan, but the thoroughfare seems to have found other ways to keep things interesting for the minutes we share every morning. I suppose this is only fair; Legends of the Hidden Temple had its Temple Guards, so it follows that I should encounter my own resistance during the trek through NYC's concrete jungle. In lieu of semi-solid waste, one must remain on the look-out for "phantom puddles," the foot soldier's black ice. These harmless looking pools of stagnant water are dangerous—DO NOT BE FOOLED. Although they may appear to be shallow, the phantom puddle transcends the laws of physics & nature, luring victims into a 6 inch Mariana Trench. Coupled with the accumulation from the previous night's snowfall, they are at most deceptively lethal (many a leather moccasin has been left slain in their wake). The city of New York should really post warning signs on every street corner.

How quickly behaviors change when you're no longer behind the wheel! Unless you drive a cab, there are some specific traffic rules that we all (strive to) abide by in our automobiles. This is simply not the case when grid-skipping on foot. Traffic lights, crosswalks, the distinction between curb & intersection—these aren't even suggestions to the pedestrian. At every corner, I turn into baseball's all-star kleptomaniac Rickey Henderson and the next block is my 2nd base. I side-step the diminutive bagel delivery man, move several more inches into the street, and then glare at the livery driver turning right onto 8th Avenue as he nearly runs over my toes, the exhaust warming the back of my calf. 8:12AM

Most often, it is my fellow pedestrians that I need to watch out for. Oblvi-miss, the large-purse-totting zig-zagging urbanite, always presents a challenge. Individuals of this type ignorantly occupy a disproportionate area of personal sidewalk space. Adding insult to injury, Oblivi-misses (or Oblivi-misters) roam the streets like blind ravenous Mongols and consequently block any attempts to pass on either side by annexing potential lanes into their ever expanding territory. Be extra vigilant on rainy days, when Oblivi-miss brandishes her ridiculously sized umbrella, much to dismay of afro-ed. Oblivi-miss sometimes appears in her alternate form: oversized backpacker with giant over the ear headphones.

Way Too Sexy

I probably pass a dozen places to buy pornography and adult novelties during the 13-block jaunt down 8th Ave. On the east side of the street between 40th and 39th Streets sits WORLD OF DVD. At this particularly seedy establishment, the window display is angled 45 degrees to the sidewalk, and is incredibly difficult to miss. It features the tanned toned trio of what I assume is some gay adaptation of Survivor (the title is "Man Island") greased up and wearing nothing but briefs. The dudes stare out with their best let's-do-something-worthy-of-a-republican-sex-scandal faces, with the hand of the lead (in the center) down his pants, cupping his um.. man-bits. One of my favorite 15-second pastimes is watching the wayward eyes of people passing porn on my way home in the evening. In the morning rush, however, I'm the one getting punked. 8:20

Now, I'm a pretty modest guy, but I have nothing against "sexy shoppes"—in fact, I feel better knowing that my neighborhood is peppered with them. Their presence is a bit like a sexual security blanket—what if I have a 3AM dildo emergency or the internet goes down and I really need to watch Edward Penishands? Or I find myself in a situation that desperately calls for some silicone-based lubricant. But this promotion is so aggressively explicit (do they really need to flash pubes?) and that shit always catches me off guard. Way too much unsolicited sexy before 9AM.

Train Station Tsunami

Times Square may be a bit like sailing through a harbor littered with naval mines, but the last leg of my trip through Pennsylvania Station is more akin to sprinting head in the "wrong" direction during the Running of the Bulls, or swimming upstream a waterfall.

The main corridor runs underground along 34th Street and collects streams of exiting masses: starting with riders of the A-C-E lines of the subway, adding Long Island Rail Road and New Jersey Transit passengers, and finally picking up the 1-2-3 subway folk before leading everyone up 2 escalators (and a set of stairs) to the primary street level entrance to the station. The corridor is also home to a few dozen newspaper stands, mass-market bakeries, and miscellaneous commuter service shops. To reach my gate and jump on the train, I need to take the single escalator moving in the down direction and eventually cross through the torrent, traverse/battle my way through the main concourse, and slip through another (much smaller) exodus of workday warriors using the 7th Ave/32nd Street exit. I might even kill a dragon or two while I'm at it. 8:26

Odds are that if I stopped for coffee or a croissant, I've had to step up the pace to a power walk for the last block or two, so by the time I've reached the mouth of the station the first few droplets of sweat have started to form on my brow. My self-conscious side sounds the alarm: "Stay Cool, Je. Running is for suckers, and you don't want to stew in your sweat for the next half-hour anyway. Stay Cool, Je. ICE COLD!" Not much time left if I'm going to catch the train, and unfortunately this can be the trickiest part of the trip. There are only a few minutes before departure, and if I happen to be out of train tickets, I'll need to set aside time for the slow purchase process at the NJ Transit self-serve kiosk.

After the first few weeks, I discovered that I could minimize the risk of falling into the mirror game with an oncoming commuter (I move left, they move right and we repeat our two-step a few times trying to adjust to each other's movements). No matter what, cutting someone off ON FOOT is a big dick move, so I try to be quick about it and move without hesitation, using one of the following approaches (in order of preference):

  1. The Hypotenuse – a slow, but direct shot, giving people time to understand your trajectory and move out of your way. Requires less thought and results in fewer steps overall to destination, but is sometimes difficult to execute if the crowd is moving like molasses.
  2. The Perp – attack perpendicular to the flow of people. Shortest distance across the main corridor (and the people moving through it), but adds time to the overall walk to the gate. For best results, find someone trying to perform the same procedure and use them as a blocker.
  3. The Reach Around – used only in extreme cases, like a disabled escalator. Bypasses the very viscous fracas early and runs along the outside of the flow path. Takes the most time and must be executed early for best results.

The whole chaotic concert can be overwhelming, but it's time to make moves..

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If all goes well, it's now 8:29 and I'm settling into my seat.

Wednesday, March 11, 2009

Accidental Albums

By je * Other je Posts

People have long talked of the end of the Album as a musical form. In the iTunes age, the Single will come to dominate traditional recorded music sales and the new channels (video, internet, game) will render the album an archaic and unprofitable vehicle of musical expression.

The long-form, where musical ideas, motifs and themes are allowed a little more room to stew, has forever been my preferred serving size. The Album's length provides the forum for a deeper conversation with the artist than the often over-produced and apochrophal radio Single.

In that light, I guess it's only natural for a bias towards the more creative, but in these "tough economic times," one can only assume that the music industry is in dire straits and will look to rally behind what makes the greatest financial sense.

So as a pre-emptive eulogy to the dying form, i wanted to place a spotlight on a few CDs that i fell into accidentally--je's classics that I'll probably enjoy for the rest of my days. I think I've got fairly eclectic taste in music and I've aurally ingested quite a bit over the years. I have particularly enjoyed the handful of sonic surprises along the way.

Here goes.

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Album: Dreams (2006)

Artist: The Whitest Boy Alive

Discovered: Heard "Figures" on a friend's Muxtape. So funky, I needed more..

The first time I listened to Dreams, I was totally blown away by how much I enjoyed Norweigian-born Erlend Øye's minimalist stripped-down approach to rock music. Backing the honest and vulnerable beta-male vocals are drums, bass, rhodes organ, and guitar completely free of layering and effects—as if these guys decided to have an (almost) unplugged dance party in their bathroom on a whim. The sound is a great example of retronovation: the conscious process of mining the past to produce methods, ideas, or products which seem novel to the modern mind.

Building on a digital aesthetic from Øye's electronic past, Dreams is an album of simple melodies, melancholy lyrics, and cold rhythms. The bass groove on "Done with You" is reminiscent of something out of the Jefferson Airplane or early Santana, and the rest of the rhythm section through out the CD has sort of a geeked-up Cure-meets-Clash feel.

I've seen a few videos on the youtube of these guys live, but I can't say they measure up to how moved I feel when I listen to them. This studio album has been in heavy rotation for the last year now with "Burning" and "Firework" in the Top 25 Played out of my 12000 song library.

Stand-out tracks: "Burning," "Fireworks," "Done with You"

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Album: Based on a True Story (2006)

Artist: Fat Freddy's Drop

Discovered: Passed along by a friend with different tastes in music

At my previous job, I was fortunate enough to share an office with a good friend of mine for a while. We often shared music, but never really enjoyed the same things: his stuff was usually really far out there IMHO. So I didn't have high expectations when he handed me Based on a True Story. On the first listen, the New Zealand group floored me..

Artfully mixing intricate textures, Fat Freddy's Drop makes full use of their 7-piece membership. Nearly every song on Based on a True Story is a sonic journey, sending the listener sauntering on a path that arrives in a totally different as the instrumentation and styles (mostly Reggae, Dub, Jazz) osmose into each other. Joe Dukie voice is paired beautifully with the band's rhythm and horns section.

Fat Freddy aren't afraid to sit on the groove, with the 7-minute opener "Ernie" slowly building on a beat for 2 minutes before Dukie makes his vocal entry.

"Ray Ray" wins (imaginary) Grammy for Soul Shit of the Decade.

Stand-out tracks: "This Room," "Ray Ray"

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Album: CéU (2007)

Artist: CéU

Discovered: Starbucks Coffee

Yea I know it's lame that I copped it at Starbucks, but I was waiting in line to order an Americano and the Brazilian singer-songwriter was on the cover, just staring me in the face (how could I say no?). This CD is so smooth, they should sell it in the pharmacy as a laxative. I mean that in the most loving way possible.

I absolutely love this album. Part cool jazz, part afro beat, CéU shows such maturity, avoiding cliched vocal ornamentation and showing her skill both in when she choses to sing and when to just let the beat build. Powerful music never has to shout.

The pacing on this album is simply wonderful, with CéU delivering such elegant passion with her vocal instrument over rich grooves. The hip-hop influence is palpable particularly on "Malemolência"—a down-tempo track that slowly seeps into your soul like the condensation on a later summer's caipirinha glass.

I will not pretend that I have any idea what any of the songs may be about (aside from the cover of Bob Marley's classic: "Concrete Jungle"), but Portugese is such a beautiful sounding language when wielded by the 28 year old chanteuse that I'd be enthralled if she sang me the ingredients of Spam. I wonder if she's single..

Stand-out tracks: "Malemolência," "Mais Um Lamento"

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Album: The Richest Man in Babylon (2002)

Artist: Thievery Corporation

Discovered: Bookstore Sound system

I was working on a paper—probably on something ridiculous like the similarities between the Ivan Reitman film Twins (starring a pre-political Schwarzenegger) and the Billy Shakespeare play 12th Night, when "All that We Perceive" came on the Barnes & Noble stereo system. When I work, I usually turn on my own music and crank that shit up to 11, but whatever song I was listening to just ended and something totally seductively alien happened to waft in past my ear buds during the few brief moments of anticipatory silence. Just like that, I was hooked.

Richest Man is the third album by Thievery Corporation, the Washington D.C.-based lounge/dub DJ duo known for their international melanges. For me, Richest Man was my first exposure to chilled out music. The sound I heard that November morning wasn't just a rap instrumental, but music made for people like me who just want to daydream or enjoy some conversation over drinks. I'd always loved world music; put to a beat, I was in heaven.

This is my second favorite Thievery album, with the compilation Babylon Rewound (2004) sashaying into first. Rewound actually features several dubbed out cuts from The Richest Man in Babylon, which happen to cater a bit towards my general music tastes, so the comparison may be a bit unfair. Nevertheless, I would have never given it a spin if I didn't fall in love with Richest Man.

Stand-out tracks: "Une Simple Histoire (A Simple Story)," "State of the Union," "Resolution"

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I hope to have a few more accidents before Apple and Amazon kill off the album.

Saturday, February 28, 2009

Contributor Bio: je

Hailing from Binghamton New York, je attended Cornell University and graduated in 2005, finally majoring in Philosophy. A technologist by profession, je fell into it by accident after college, but is pretty much useless if you ask him to fix your computer. He spends his workday solving business problems with technology. In his free time, he is a glutton for information, haphazardly amassing a substantial knowledge about pretty trivial topics. He regularly takes a half dozen movies to the face over the course of a weekend, and enjoys cooking when his stomach can be patient.

He lives in Manhattan with his imaginary pet cockatiel, Lola. Follow him on twitter http://twitter.com/seemonkea

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